Fast-rising Afrobeats newcomer Malik Abdul is back with a catchy new 3-pack release titled Last Summer.

The record arrives on the heels of last year’s statement-making Sorry For The Wait debut album release, unlocking a gripping delivery and infectious groove that showcases Abdul’s soaring artistry.

Opening with the Ayinde Barrister-inspired emo-pop opener, “Fuji Garbage (featuring MannytheMann)”, Last Summer explores the toxic love and heartbreak story that rings as a recipe for self-growth and healing. The record also documents Abdul’s pain, with the lounge pop hedonist anthem, “Like To Party”, and the Naija R&B-pop closer, “Oroma”, rubber-stamping his distinct artistry.

“I fell in love last summer, and even though it didn’t work out, the emotions from that time stayed with me,” he tells WeTalkSound. “The project became my way of turning a personal story into something others can connect with, a reflection of love, loss, and growth.”

While love stories can often fall into the pit of clichéd story direction and musical expression, Malik Abdul presents a fresh take that interestingly satirizes his pain with a sanguine groove. It’s reminiscent of classics like Magic System’s “Premier Gaou”, or Joeboy’s “Alcohol”, where the gingerly groove shadows the sorrow that charges the song.

“For me, music is both a weapon and a refuge. It allows me to tell my story, to turn pain and challenges into something that can connect with others. It’s my escape, but it’s also my compass, guiding me through life, giving me strength, and allowing me to transform my experiences into sound,” he quips.

With a catalogue that packs a strong line-up of single releases, including fan favourites like “Pele”, “Taya”, “Mariello”, among others, Malik Abdul continues his ascent to Afrobeats stardom with a strong sense of originality and progressive sonics. For him, his mission remains to connect with an audience that yearns to “embrace their truth, chase their dreams, and find freedom in self-expression.”

“My goal is to bridge my African roots with global influences, bringing something fresh that still feels authentic. I want my voice to represent consistency, creativity, and impact, spreading hope to everyone navigating their challenges, one song at a time.”